The National Association for the Visual Arts (NAVA) Board.
The National Association for the Visual Arts (NAVA) Board.
Photo by Wendell Theodoro
James Emmett is a barrister at Banco Chambers and also an adjunct associate professor in law at the University of New South Wales. He is a director of Twenty10 incorporating the Gay & Lesbian Counselling Service and sits on the Advisory Board of the La Trobe University Centre for Legislation. James was Chair of Artspace Visual Arts Centre, Sydney, from 2012 to 2016 as well as being Chair of the Inner City Legal Centre Foundation from 2012 and 2018. He is an enthusiastic supporter of the arts sector generally and the visual arts in particular.
Photo by Jason Matz
Rohin Kickett is a Noongar artist from the Ballardong region who now resides in Armadale, Western Australia. He works as a professional artist across Perth, nationally and internationally. Rohin has been instrumental in organising the Aboriginal Art Studio at the Champion Centre (City of Armadale’s Aboriginal services hub) for several years, on a volunteer basis as part of the Armadale Hills Open Studio Arts Trail. In October 2019, the City commissioned a mural for the newly-renovated Champion Centre as a collaboration between Rohin, local artist Bradley Kickett, and Victorian artist Matt Adnate. Additionally he administers a Facebook group (Nyoongah Art in Nyoongah Country) promoting Noongar arts, which features many artists of various skill levels. He is a keen advocate and aims to establish a new Aboriginal Arts Centre.
Photo by David Folly-Hans
Tom Mùller is an established multi-disciplinary artist with an active international practice spanning the realms of site-responsive, temporal and permanent projects. His work has been included in major exhibitions and Institutions including 'The National' at Carriageworks, the Museum of Contemporary Art, the Adelaide Biennial, Biennale de la Chaux-de-Fonds, and the upcoming Northern Alps Triennale in Japan. He has been the recipient of multiple Australia Council grants, the inaugural winner of the Qantas Contemporary Art prize, a mid-career fellowship from the Department of Culture and the Arts. In 2009 won the Basel international residency program through the Christoph Merian Stiftung. He was mentored by the Russian-American conceptual artist Ilya Kabakov in New York, and studied Anthroposophy at Emerson College in London. He holds a BFA (first class honours) in Sculpture from Curtin University of Technology.
In parallel to his personal practice, Tom is also an independent curator, Director of programs at PS Art Space, and the co-founder and Artistic Director of the Fremantle Biennale (2017, 2019).
Photo by S. Elfie
Lisa Radford is an artist and writer. More often than not she works with others, most recently with Sam George and Yhonnie Scarce but previously with TCB art inc. and as a member of the collective DAMP. Currently working in the Painting Department at the Victorian College of the Arts, University of Melbourne, she shares thoughts publicly and intermittently in the The Saturday Paper.
Genevieve Grieves is a Worimi woman – traditionally from mid north coast New South Wales who has lived in Narrm (Melbourne) for many years. She is an award-winning Indigenous artist, researcher, educator, curator, filmmaker and oral historian who has accumulated twenty years’ experience across the arts, culture and education sectors. Genevieve has consistently won recognition and awards for the variety of projects she has undertaken throughout her diverse career including online documentaries, film, art and exhibitions.
Her current role at Museums Victoria is as Head of the newly formed First Peoples Department. She is on the Executive at the Museum and responsible for developing and implementing the transformational theme of First Peoples’ living cultures and history to be placed at the centre of the Museum for the first time in its 160-year history.
As an educator, Genevieve has worked in the Australian Indigenous Studies program at University of Melbourne (UoM) including as Acting Head of the program. She has also developed and delivers a Masters Intensive at UoM titled, Working in Indigenous Cultural Contexts (2015-) for emerging arts and cultural workers. She teaches a highly-acclaimed version of this at the Footscray Community Arts Centre (FCAC) – a leading arts and cultural organisation – as part of their Generate professional development program. She is currently undertaking her PhD in the program focussed on Aboriginal art, colonial violence and memoralisation.
Photo by Prudence Upton
Wesley Enoch hails from Stradbroke Island (Minjeribah) in Queensland and is a proud Noonuccal Nuugi man. He is a writer and director for the stage and joined the Sydney Festival as Artistic Director in 2015. He was creative consultant, segment director and indigenous advisor for the opening and closing ceremonies of Gold Coast Commonwealth Games in 2018; the Artistic Director of Queensland Theatre Company from 2010 – 2015; Associate Artistic Director at Belvoir St Theatre from 2007- 2010; Australia Council Artistic Director for the Australian Delegation to the 2008 Festival of Pacific Arts; director of Opening Ceremony, MY SKIN, MY LIFE for the Commonwealth Games in Melbourne; Artistic Director of Ilbijerri ATSI Theatre Co-op 2003-2006; Resident Director at the Sydney Theatre Company from 2000-2001 and Artistic Director of Kooemba Jdarra Indigenous Performing Arts from 1994-1997. His plays include BLACK MEDEA, THE 7 STAGES OF GRIEVING and THE STORY OF THE MIRACLES AT COOKIE’S TABLE. Wesley’s recent directing work includes MOTHER COURAGE & HER CHILDREN and HAPPY DAYS. He has a commitment to new work and has directed many world premieres including COUNTRY SONG, HEADFUL OF LOVE, TROLLOP, WALTZING THE WILARRA and BLACK DIGGERS.
Photo by Sia Duff
Patrice Sharkey is a curator, writer and arts worker who lives on Kaurna land in Adelaide. She is currently the Artistic Director of ACE Open, South Australia's flagship contemporary art space, and was previously the Director of West Space in Melbourne (2015-2018). Patrice's work experience also spans the university and commercial sectors, including roles as Assistant Curator at Monash University Museum of Art and Gallery Assistant at Sutton Gallery. She received a Bachelor of Arts (First Class Honours), majoring in Art History / Cultural Studies, from the University of Melbourne in 2010, and is an alumni of the Australia Council's Future Leaders Program. In 2021 she will serve as Associate Curator for Block Universe - London's leading international performance art festival.
Maria Farmer Public Relations [MFPR] is one of Australia’s leading PR companies. The company, which is characterised by the energy, authority and experience of its principal, specialises in brand building/protection, publicity and public relations.
More than a simple PR agency, MFPR provides clients with a bespoke service, drawing on more than 30 years experience at the forefront of the communications industry in Australia. With a proud history representing some of the best-known creatives, actors, fashion and lifestyle brands, restaurateurs and authors this country has produced, MFPR leverages its unrivalled network of media and industry professionals - plus its enviable reputation - to achieve only the best outcomes for its clients.
Company Secretary Emma Page Campbell has over 16 years of experience in provision of governance and legal services in the government and not for profit sector. Emma has a deep understanding of the creative industries and chairs and participates in various industry steering committees and working groups including in the area of copyright and classification law reform. Emma is a practising lawyer and a Fellow of the Governance Institute of Australia.
Kathir Ponnusamy has over 18 years of experience in a range of finance and accounting roles both in Australia and Asia. Kathir has worked across several industries including banking, business services, telecommunications and retail. Kathir is a member of the CPA Australia and Malaysian Institute of Accountants.