First Nations Voice

NAVA recognises that the development of First Nations arts and culture must be autonomous and self-determining. 

One of NAVA’s current policy priorities as set out by its Strategic Plan 2018-20 is a commitment to self-determined approaches to First Nations best practice in contemporary arts, and join with other initiatives to support formation of a national First Nations arts body.

Let's Listen

Recorded at NAVA's Future/Forward 2018, National Gallery of Australia ACT.


Sacred Data

Illustration of a mobile phone wrapped in tree bark and gum leaves on orange background.

Illustration by Emily Johnson.

Poet, film maker and digital producer of Wiradjuri heritage, Jazz Money, examines the potential benefits and threats to Indigenous data sovereignty in increasingly digitised spaces.

Protocols for using First Nations Cultural and Intellectual Property in the Arts

Digital collage of dancers, grass and water droplets

This protocol guide endorses the rights of Indigenous people to their cultural heritage and supports Indigenous creative practice. This protocol guide encourages self-determination and helps build a strong and diverse Indigenous arts sector. These are key goals and priority areas of the Australia Council for the Arts.Over the years, the principles and protocols contained in this protocol guide have also been applied nationally and internationally – educating readers and users on Indigenous Australian cultural heritage, and encouraging meaningful collaborations with Indigenous artists and creators.

Change the Conversation From Surviving to Thriving

Screen print by Bronwyn Bancroft

Bronwyn Bancroft, Time marches on, 2010 (cropped), mixed media. Courtesy of the artist and the Australian War Memorial.

While there have been some advances in recent years, the reality of a European dominated cultural sector in Australia and across the world makes a clear case for more active strategies and policies around cultural safety and re-Indigenising spaces for us to continue growing as the oldest continuing arts and culture makers on this earth.

Cultural Authority and Consultation

Photo of Shell Wall

Esme Timbery and Jonathan Jones, Shell wall, 2015. Aluminium, two-pack polyurethane paint, fittings, fabricated by DCG Design; 2236 x 350 cm; installation view Alexander R9, Barangaroo, Sydney. Commissioned by Lendlease. Photo by Brett Boardman.

When seeking to engage with First Nations cultural heritage on any project, it should be expected that you consult with the appropriate cultural authority at each stage of research, development and production.

Tips to Making a Genuine Commitment to First Nations and People of Colour in the Arts

Illustration of three people

Illustration by Emily Johnson

Diversity is a white word and the Australian arts sector is governed by a cultural perspective where excellence and success are synonymous with whiteness.  Here are some simple points to consider when looking to achieve a genuine commitment to working with First Nations and People of Colour in the Australian arts sector.

NAVA: in conversation with Genevieve Grieves

Pictured: Genevieve Grieves

In this conversation, Genevieve Grieves chats with NAVA's Professional Development Coordinator, Wesley Shaw and First Nations Engagement Coordinator, Georgia Mokak, about her current role teaching students about decolonisation at the Art Gallery NSW as part of their annual Djamu Indigenous Art program, as well as her role at Museums Victoria, and developing a practice and knowledge around decolonisation more broadly.

Right to Self-Determination

Australia's First Peoples

Aboriginal Flag

The right to self-determination is contained in article 1 of the International Covenant on Civil and Political Rights (ICCPR) and in article 1 of the International Covenant on Economic, Social and Cultural Rights. It has particular application to Aboriginal and Torres Strait Islander peoples as Australia’s first peoples, as was recognised by law in the historic Mabo judgement.

The right of self-determination for Aboriginal and Torres Strait Islander peoples is in addition to the right which everyone has to freedom from discrimination (including under ICCPR articles 2.1 and 26) and which members of all ethnic, religious or linguistic minorities have to enjoy their own culture, as well as profess and practice their own religion.

Fake Art Harms Culture

Inquiry into inauthentic Aboriginal ‘style’ art

Fake Art Harms Culture

Thanks to the Fake Art Harms Culture campaign led by Arts Law, the Indigenous Art Code and the Copyright Agency, the House of Representatives Standing Committee on Indigenous Affairs held an inquiry into the growing presence of inauthentic Aboriginal and Torres Strait Islander 'style' art and craft products and merchandise for sale across Australia. NAVA submitted a response to the inquiry and appeared before the parliamentary inquiry in Sydney on Tuesday 6 March 2018.

NIACA Consultation

National Indigenous Arts and Cultural Authority

NIACA Logo

For decades, the idea of a National Indigenous Arts and Cultural Authority (NIACA) has emerged and re-emerged in recognition of the unique place of Aboriginal and Torres Strait Islander arts as the world’s premier continuous cultural tradition. A NIACA would provide a much needed central peak body for the Indigenous arts and cultural sector, providing First Nations artists and cultural organisations with a national voice across all areas of practice.

A national consultation is currently open to inform the value, role, scope and form of a NIACA. Details are available here.